News

Tour of The Broad (December 2018)

The Broad museum has generously offered an exclusive “behind the scenes” tour for the ARLIS/NA Southern California Chapter, to take place on the morning of either Friday, December 7th or December 14th. To book the tour, the museum requires a confirmed number of attendees. Please register for this event by September 30th so we don’t miss this special opportunity. All details will be confirmed once the tour is booked. The tour is limited to 20 people.

The Broad is a contemporary art museum founded by philanthropists Eli and Edythe Broad on Grand Avenue in downtown Los Angeles. Designed by Diller Scofidio + Renfro in collaboration with Gensler, the museum offers free general admission and presents an active program of rotating temporary exhibitions and innovative audience engagement. The Broad is home to more than 2,000 works of art in the Broad collection, which is among the most prominent holdings of postwar and contemporary art worldwide.

The 120,000-square-foot building features two floors of gallery space and is the headquarters of The Broad Art Foundation’s worldwide lending library, which has been loaning collection works to museums around the world since 1984. Since opening in September 2015, The Broad has welcomed more than 1.8 million visitors.

Fall Business Meeting (October 19, 2018)

Please join the ARLIS/NA Southern California Chapter on Friday, October 19, for our annual Fall Business Meeting in Santa Clarita/Valencia. We will tour the UCLA Film & TV Archive, CalArts Film Library, and host a talk by Kathy Carbone with a chapter meeting and reception to follow.

View the complete schedule for the day and RSVP here.

Tickets:
$10 members
$15 non-members
Free for students

We hope to see you there!

About the ARLIS/NA Southern California Chapter

ARLIS/SC is the Southern California Chapter of the Art Libraries Society of North America. Our members include librarians, archivists, curators, and friends from the Southern California area, from San Diego to San Luis Obispo.

About the UCLA Film & TV Archive

UCLA Film & Television Archive is the second largest moving image archive in the United States after the Library of Congress, and the world’s largest university-based media archive. We are committed to the collection, restoration and exhibition of moving images. The Archive’s public programs can be seen at the Billy Wilder Theater in Westwood Village, Los Angeles. The Archive loans prints from its vast collection to cinematheques and film festivals around the world. Additionally, footage licensed from the Archive has appeared in many notable projects for the big screen, television and other media. Many items in the Archive’s collections can be accessed for research by appointment through the Archive Research & Study Center at UCLA.

The Archive is a part of the UCLA School of Theater, Film and Television, a premier interdisciplinary global professional school that develops outstanding humanistic storytellers, industry leaders and scholars, whose diverse, innovative voices enlighten, engage and inspire change for a better world.

About the CalArts Library

The CalArts Library enables student and faculty artist/scholars to develop the skills necessary for creative exploration, critical reflection and lifelong learning, in an environment that supports and promotes the diversity of voices that encompass the CalArts community. The library offers a full range of academic reference and instruction services, and contains a collection of over 200,000 physical items in all formats and approximately 300,000 electronic resources, as well as a unique archival and rare-book collection.

About Kathy Carbone

Kathy Carbone is the institute archivist, performing arts librarian, a faculty member in the Herb Alpert School of Music, and an adjunct faculty member in the School of Critical Studies at the California Institute of the Arts (CalArts), where she teaches courses in music research methodologies and archives and art-making. She is also a lecturer in the Department of Information Studies at the University of California, Los Angeles (UCLA), where she teaches a course on archives and art practices. Her research interests include contemporary art productions with archives, affect, social justice practices in the arts and archives, archival ethnography and pedagogy. She has published in the journals Archival Science, Archivaria, and Archives and Records. A former contemporary dancer, improviser, and choreographer, Kathy collaborated with musicians and dancers utilizing both improvisation and set material in theater and gallery based live performance events for over 25 years. Kathy holds a Ph.D. in Information Studies, with a focus in Archival Studies from UCLA, an MLIS from Kent State University, an MA in Dance and Music and a BFA in Dance from Ohio University.

About Kathy Carbone’s Talk (“Critical Interventions: Contemporary Art Practice in the Archive”)

Free and open to the public. Does not require registration.

The archive—whether as institution, practice, source, concept, subject or object—has increasingly become a stimulus for and site of artistic inquiry, intervention, and production over the last 20 years, and contemporary art practice a realm for critically exploring (and often questioning and disrupting) the functions and nature of the archive; for contemplating time, memory, history, and identity; and, for reclaiming and reinterpreting, reconstructing and re-presenting the past to imagine and realize new ways of being in the present and future. Drawing upon the rich interdisciplinary archival art discourse generated by visual and performing artists, critics, curators, and theorists as well as scholars in the archival and recordkeeping field, this talk surveys and contemplates key artistic approaches and responses to the archive by a range of artists working across a variety of disciplines. The talk further reflects upon the ways in which artists foreground the materiality and relationality, affective and performative aspects of the archive, and how considering the archive as art and art as archive opens new relations and conversations as well as possibilities between diverse people and communities.

Visit to Sterling Ruby Studio (August 7, 2018)

Date: Tuesday, August 7, 2018
Time: 10:30 am
Cost: $5/members, $10/non-members, free for students
Please RSVP at: http://tdy.cl/se/WxtSQAg
Address and parking details will be sent via email prior to the tour

Sterling Ruby (American. b. 1972) received a BFA from the School of the Art Institute of Chicago, and an MFA from Art Center College of Design in Pasadena, California. He works with a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray-paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments, and soft sculptures.

Photo courtesy of Sterling Ruby Studio

Joint California Chapters Meeting and Reception in NYC (February 26, 2018)

The Northern and Southern California chapters will be holding a joint meeting and a joint reception at the ARLIS 2018 annual conference in NYC on Monday, February 26th. We hope to see many of you at one or both gatherings!

If you will be attending the conference, please take a moment to review the details below and then answer this super-short and super-helpful survey:
https://goo.gl/forms/dYZZPosIWEl2YwKA3

Joint Chapter Meeting:
Date: Monday February 26, 2018
Time: 8:00-9:00 AM
Location: Hilton, Murray Hill East, 1335 6th Ave, New York, NY 10019

Joint Chapter Reception:
Date: Monday February 26, 2018
Time: 3:00-5:00 PM
Location: Taco Dumbo, 19 W 52nd St, New York, NY 10103

We will have three large communal tables reserved at the front of the restaurant and signs for easy identification. Special thanks to Jennifer Kishi for taking care of all of these arrangements.

Please feel free to reach out with any questions to either Abby Dansiger, Northern California Chapter Chair, at adansiger@famsf.org or Jennifer Kishi, Southern California Chapter Vice-Chair/Chair-Elect, at jenkishi@gmail.com.

ARLIS/NA Southern California Chapter Travel Awards

On behalf of the ARLIS/NA Southern California Chapter Travel Awards Committee, it is our pleasure to announce the following award recipients:

ARLIS/Southern California Chapter Student Travel Award:

Megan Sallabedra, a first year MLIS student in UCLA’s Graduate School of Education and Information Studies with a BA in History of Art and Visual Culture from UC Santa Cruz, and an MA in Curatorial Practice in the Public Sphere from the University of Southern California. Megan expects to earn her MLIS in 2019 and this will be her first ARLIS/NA conference. She has worked for the past several years in the field of fine arts in a range of roles – from organizing exhibitions and related programming at the exhibition space 356 Mission in Los Angeles, to selling art books at Ooga Booga, managing private art collections and public art projects at Lendrum Fine Art, to advanced research and writing on contemporary artists and practices as part of her own ongoing professional interests. She set her sights on a career trajectory in an art library setting after taking on a project with the Los Angeles County Museum of Art’s Balch Art Research Library – prioritizing, digitizing and cataloging their holding of artist files, and she currently works part time as a Graduate Reference Assistant in the UCLA Arts Library.

ARLIS/Southern California Chapter Judith A. Hoffberg Travel Award:

Lorie S. Kim, a first-year student in UCLA’s MLIS program, specializing in Archival Studies. For her undergraduate degree in visual culture at the University of Southern California, Lorie wrote a senior research thesis on “The Convergence of Eastern and Western Design and Its Effects on the Development of Global Fashion.” Along with her academic studies, she has seven years of professional experience in the arts, which inspired both her aspirations for graduate studies in Library and Information Science and her professional pursuit of art librarianship and archival work. As an Exhibitions Intern in the Exhibitions Department at the Los Angeles County Museum of Art (LACMA) for approximately two years, she assisted with all levels of exhibitions coordination, including maintaining the museum’s collections database and supporting a range of collections management projects. More recently she interned at the Los Angeles location of the Hauser & Wirth contemporary art gallery where her projects included digitization of curator Paul Schimmel’s archive of press material and organizing the libraries’ giveaway book collection. She then served as the representative for Los Angeles in the gallery’s global five-person Library Team, as the Los Angeles contact for Hauser & Wirth Publishers’ activities, as the Los Angeles gallery’s bookshop manager, and as the coordinator of Hauser & Wirth Publishers’ local Book & Printed Matter Lab, a small exhibition space for publication-related presentations and public programming. She now serves as a cataloger at ARCANA, an art bookstore in Culver City. This will be Lorie Kim’s first ARLIS/NA conference and she plans to attend the ‘Consulting with Artists: Creating, Describing, and Disseminating the Visual Arts’ workshop and the behind-the-scenes tour of The Costume Institute at The Metropolitan Museum of Art.

Please join us in congratulating Megan and Lorie and please help us welcome them to ARLIS/NA when you meet them in New York City!